HAHN -
Reynaldo Hahn (1874-1947)
Brummel
Operetta in 3 5 Akte und Bilder
Libretto: Robert Dieudonne und Rip
Uraufführung: Paris, Folies-Wagram, 17. Jänner 1931
Brummel .................................. Nick loved Doniat
..................................... Albert Voli
Jim ...................................... Gaston Rey
The Prince of Wales ...................... Rene LENOTY
the Butler ............................. Marcel GENIOT
a policeman .............................. Michel Fauchey
Lady Eversharp ........................... Gabrielle Ristori
Peggy .................................... Lina Dachary
Laura .................................... Claudine COLLART
Choeur et Orchestre de Radio-Lille
Marcel Cariven
radio broadcast (256 kbs), Lille, January 1963
http://rapidshare.com/files/68798770/HAHN_Brummel.rar.001
http://rapidshare.com/files/68796924/HAHN_Brummel.rar.002
Saturday, November 10, 2007
Monday, July 9, 2007
Pinky Gallery (adult)
If my eyes but the lens of a camera!
If one considers the painting a few basics, the rest is a matter of taste. If you simply copy anyway, just one to one, a photo quality is better and much easier to manufacture. Painting is the projection of the ideal and the self, as once the teacher who had introduced me to painting, said. At that time, I was very young and had the importance of Gesangten can not yet measure. But now I knew what he meant.
shy I was.
My brush, created on the surface before me a world. Points outlined lines, lines created surfaces. A bright, yet sensitive coloring. The bold structure, the better.
Too detailed designs I do not like. In order to have them be really strong, is certainly much more work is required. But it is also important that you retire. Finding the right time to quit is an essential criterion.
The time had gone by very quickly. "So, then it's enough for today!"
If one considers the painting a few basics, the rest is a matter of taste. If you simply copy anyway, just one to one, a photo quality is better and much easier to manufacture. Painting is the projection of the ideal and the self, as once the teacher who had introduced me to painting, said. At that time, I was very young and had the importance of Gesangten can not yet measure. But now I knew what he meant.
shy I was.
My brush, created on the surface before me a world. Points outlined lines, lines created surfaces. A bright, yet sensitive coloring. The bold structure, the better.
Too detailed designs I do not like. In order to have them be really strong, is certainly much more work is required. But it is also important that you retire. Finding the right time to quit is an essential criterion.
The time had gone by very quickly. "So, then it's enough for today!"
Saturday, May 19, 2007
Menstruation & Numbness In Leg
accent, pronunciation and mouthparts
it true that when a child grows up in a dialect-influenced region, the mouth parts entspechend form? Or is the emphasis concluded otherwise?
children learn to talk in which they imitate sounds. Japanese babies can express the theory as purely "r" normal only because it is not used there, it develops not. In contrast, adults often do not learn about the imitation of sounds rather than the writing. Therefore, every adult who does not speak his native language a native accent because he tends to pronounce the written word in his native language.
When we go without knowing the language in a foreign speaking country and learn the language from the imitation of the sounds you would have virtually no native accent but would adopt the local accent of the people with whom you contact.
I was once a time in Southern England and I was asked in London, then sometimes, if I had a Südengländer as an English teacher, because I determined pronounce words with a southern English accent would.
it true that when a child grows up in a dialect-influenced region, the mouth parts entspechend form? Or is the emphasis concluded otherwise?
children learn to talk in which they imitate sounds. Japanese babies can express the theory as purely "r" normal only because it is not used there, it develops not. In contrast, adults often do not learn about the imitation of sounds rather than the writing. Therefore, every adult who does not speak his native language a native accent because he tends to pronounce the written word in his native language.
When we go without knowing the language in a foreign speaking country and learn the language from the imitation of the sounds you would have virtually no native accent but would adopt the local accent of the people with whom you contact.
I was once a time in Southern England and I was asked in London, then sometimes, if I had a Südengländer as an English teacher, because I determined pronounce words with a southern English accent would.
Hilar Lymphadenopathies
"I know I know them!"
( http://de.answers.yahoo.com/question/index?qid=20070502042952AAOVQXz&show=7 )
How did this statement now? was
Gottfried Heinrich Graf zu Pappenheim, a highly educated man for his time. He was regarded as impulsive, but also as a fearless and reliable. His character could easily be with the understanding of the cuirassiers reconcile.
's determination of his cavalry force was recorded saying: "I know I know them" This statement was originally meant positively. One of the regiment to be Pappenheimer, then stood for unconditional courage, loyalty and bravery. Today, the term "Pappenheim" somewhat connected with the winking insight into human weaknesses.
Friedrich Schiller used this sentence modified in his play "Wallenstein's Death." It allows the commander said Wallenstein. "SHOULD I recognize I know them," Wallenstein says this in the delegation by Pappenheimer cuirassiers to question him about whether this corresponds in the army prompt rumors about negotiations with the Swedish enemy of truth.
What Papenheim?
How to use the word?
A Pappenheimer is a slightly archaic word for the usual suspects, from whom all know that he is doing some bad things. If I have a reasonable suspicion, I say to the likely culprit: "I know I know them." Then do the potentially guilty, that I will pull it immediately responsible if he really owe something can come. I warn him so well that he is under constant observation.
If an insurance agent says something, he means that he knows exactly who is a notorious cheat and then this insurance is in case of damage Pappenheimer previously considered as a man who has no insurance for years claimed before him but then something happened.
How did this statement now? was
Gottfried Heinrich Graf zu Pappenheim, a highly educated man for his time. He was regarded as impulsive, but also as a fearless and reliable. His character could easily be with the understanding of the cuirassiers reconcile.
's determination of his cavalry force was recorded saying: "I know I know them" This statement was originally meant positively. One of the regiment to be Pappenheimer, then stood for unconditional courage, loyalty and bravery. Today, the term "Pappenheim" somewhat connected with the winking insight into human weaknesses.
Friedrich Schiller used this sentence modified in his play "Wallenstein's Death." It allows the commander said Wallenstein. "SHOULD I recognize I know them," Wallenstein says this in the delegation by Pappenheimer cuirassiers to question him about whether this corresponds in the army prompt rumors about negotiations with the Swedish enemy of truth.
What Papenheim?
How to use the word?
A Pappenheimer is a slightly archaic word for the usual suspects, from whom all know that he is doing some bad things. If I have a reasonable suspicion, I say to the likely culprit: "I know I know them." Then do the potentially guilty, that I will pull it immediately responsible if he really owe something can come. I warn him so well that he is under constant observation.
If an insurance agent says something, he means that he knows exactly who is a notorious cheat and then this insurance is in case of damage Pappenheimer previously considered as a man who has no insurance for years claimed before him but then something happened.
Monday, May 14, 2007
Type Of Invisible Teeth Straightening
J. Brummel OFFENBACH - Il Signor Fagotto
comic operetta in an act
Bacolo .......................... Axel Mendrock
Clorinda ...................... Anke Hoffmann
Bertolucci .................... Henner Leyhe
Fabrizio ...................... Dorothee Jansen
Moschetta ................... Marina Hedelhager
Caramello .................. Konrad leg Church
transmission: WDR3, 6th May 1997
http://rapidshare.com/files/31308554/OFFENBACH_-_Il_Signor_Fagotto__Operette__gesamt_.rar
comic operetta in an act
Libretto: Charles Nuitter and Etienne Tréfeu
Premiere: Vienna, Charles Theatre, 11 February 1864
(complete recording of the Vienna version)Bacolo .......................... Axel Mendrock
Clorinda ...................... Anke Hoffmann
Bertolucci .................... Henner Leyhe
Fabrizio ...................... Dorothee Jansen
Moschetta
Caramello .................. Konrad leg Church
Cologne Radio Orchestra
Director: Peter Falktransmission: WDR3,
http://rapidshare.com/files/31308554/OFFENBACH_-_Il_Signor_Fagotto__Operette__gesamt_.rar
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